For a typical UK one-day event, budget roughly £300 to £1,500 for lighting equipment hire alone, depending on scale, and add another 20 to 40% for installation and technicians. Firefly AV, an AV hire and event production company based in Leeds and Preston working UK-wide, quotes most jobs this way: equipment, labour and delivery listed separately so you know exactly what you’re paying for. VAT is added on top unless a quote states otherwise.
TL;DR:
- Hiring a typical UK event lighting setup costs between £300 and £4,000, depending on event scale, venue type, and equipment complexity.
- Delivery often costs extra unless the quote exceeds £1,500, and venue constraints can significantly influence price due to rigging and power requirements.
- Multi-day hires and regional or week-long bookings usually offer discounts, while weekend and London jobs tend to carry premiums.
- Accurate quotes require detailed event info, including floor plans, timings, and specific lighting needs, with separate line items for equipment, delivery, and technician hours.
- Dry-hire saves costs but shifts responsibility onto the organizer, while full-service production offers convenience and safety compliance, often adding 20-40% to equipment costs.
Prices swing hugely depending on whether you’re hiring a handful of uplighters for a marquee or a full moving-head rig for a conference stage. The most useful way to budget is per fixture type, then multiply by quantity and hire length.
A basic wedding uplighting package for a village hall costs far less than dressing an arena-scale product launch, but both draw from the same rate cards. Wedding lighting typically runs to 3 to 8% of the total wedding budget, with simple equipment-only setups starting around a few hundred pounds and elaborate installs reaching several thousand.
Here’s what UK hire houses commonly charge for a single day, based on published rate cards and hire listings:
Most hire houses work on set periods rather than a straight day rate: one day, a weekend (Friday to Monday), or a full week. A weekend hire rarely costs double a single day. Kitcabin’s published matrices for Astera AX1 pixel tubes show the same pattern most suppliers follow, weekly rates that work out cheaper per day than a one-off booking.
A few things worth knowing before you build your own budget:
Quantity is the obvious lever, but it isn’t linear. Ten uplighters cost roughly ten times one, but moving heads or pixel battens carry a much steeper multiplier once you factor in the extra DMX control and programming time each fixture needs.
Venue and power constraints matter just as much as fixture count. A hotel ballroom with existing rigging points and accessible power sockets costs far less to light than a listed building with no rigging infrastructure, or a marquee with no mains supply at all, where you’re now paying for a generator too. Our guide to event power distribution explains why a quote sometimes includes a separate line for power that has nothing to do with the lights themselves.
Timing and logistics affect price in ways many first-time organisers don’t expect:
Pro Tip: Ask every supplier to quote hire length, delivery, and technician time as separate line items. A quote that bundles everything into one number is the hardest to compare against a rival.
Three worked examples show how the same core kit list produces very different totals depending on scale and venue.
Central London venues generally sit at the top of each range once delivery and crew uplifts are applied. Our examples of UK event production setups show how scale and venue type map onto these cost bands in more detail.
Give the supplier a floor plan, your event timings, load-in and load-out windows, and roughly how many guests you’re expecting. If you have reference images or a specific atmosphere in mind, send them, it saves several rounds of email back and forth.
Then ask direct questions before accepting any figure:
Pro Tip: Insist every quote you compare covers the identical hire period and the identical inclusions. A “cheaper” quote that excludes delivery and technician time usually isn’t cheaper at all once you add those back.
Dry-hire, collecting equipment yourself and running it without a technician, saves money on labour but shifts risk onto you. Many venues, particularly those with complex rigging or listed-building restrictions, require a certified installer or accredited electrician on site, which PLASA’s guidance reflects as standard practice across UK event safety.
A hybrid approach often works best: dry-hire the simple kit (uplighters, festoon) yourself, but pay a technician for anything rigged overhead or programmed, such as moving heads or pixel battens.

Firefly AV is an AV hire and event production company based in Leeds and Preston, working across the UK. Our quotes break down into equipment, labour, transport and a contingency line, never one lump figure. Typical line items include kit like the Absen LED M2.9 Pro for video walls, eLumen8 Tri pixel battens for ambient wash, and LEDJ Spectra QX40 fixtures for outdoor-rated colour lighting. Before accepting any final figure, always ask for a site visit or a venue plan check. Rigging points and power access change the price more than almost anything else.
— Michael
Firefly AV supplies lighting hire alongside sound, staging and LED video wall services from bases in Leeds and Preston, working UK-wide, so a wedding in North Yorkshire and a conference in Manchester both fall within reach without a London agency markup, as noted in Event Photography Leeds | Conferences, Launches & Awards | Dock Street Studio | Dock Street Blog.

We offer both full-service production, with technicians handling rigging, programming and PAT testing, and dry-hire options for planners confident running equipment themselves. Rather than guessing at a range from a rate card, you can get audio visual equipment explained for your specific event or browse the full equipment catalogue to check stock on specific fixtures before you book. If you’ve got a venue and a date, request a quote through our contact page and we’ll scope it against your floor plan rather than a generic price list.
Running costs depend on wattage and your electricity tariff, but for event lighting the bigger cost driver is hire and labour, not electricity, since most rigs use LED fixtures drawing very little power over a few hours.
Yes, festoon and fairy lights are among the most commonly hired items for UK weddings and marquee events, typically costing £200 to £400 for 100 metres.
Street lighting is a council infrastructure cost, not an event hire cost, and isn’t comparable to hiring uplighters, battens or moving heads for a private event or venue.
UK event lighting hire is available from regional AV suppliers including Firefly AV, which operates from Leeds and Preston and delivers across the UK, alongside local hire shops in most major cities.
Not always; many suppliers quote equipment and labour costs before VAT, so always confirm whether VAT is included in the headline figure before comparing quotes.
Dry-hire covers equipment only and is cheaper upfront, while full-service includes a technician for rigging, programming and safety compliance, typically adding 20 to 40% to the equipment cost.